According to Scott, "derision in academic circles for music that was often categorised as ‘derivative rubbish’ or ‘entertainment for the masses’" made him reticent to complete these works. He got over it, though. And I'm glad he did.
These suites were inspired by various popular dances. But they are neither derivative nor superficially entertaining. Rather, Scott explores the essence of these dances. He keeps the character of the dances while expanding and building upon their cores.
Dance Suite No. 1 "Old Time Dances" celebrates dances of the Edwardian Era. It includes the tango, waltz, polka, and two-step. Dance Suite No. 2 "The 1960s" features the boogaloo, watusi, and the twist. Both suites are a lot of fun. But they're also substantial works as well.
Either would be great for a pops concert or a regular series concert. The same is true for the Serenade, Op. 48. Scott channels the great light classical composers, such as Eric Coates and Trevor Duncan.
Once again, Scott uses the prototypes as a starting point. So, the Serenade achieves the intended effect without sounding like a pastiche. This is wholly original music that -- by design -- is tuneful and accessible.
Paul Mann directs the Liepaja Symphony Orchestra. These artists deliver spirited performances that add to the fun.
Scott's Dance Suites may be frowned on by academia, but they brought a smile to my face.
Derek B. Scott: Orchestral Works, Volume 4
Dance Suite Nos. 1 & 2; Serenade
Liepaja Symphony Orchestra; Paul Mann, conductor
Toccata Classics TOCC 0750
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