Friday, November 02, 2012

CCC 050 - Dobrink Tabakova

This installment of the Consonant Classical Challenge features Bulgarian composer Dobrinka Tabakova. Tabakova is an up-and-coming British/Bulgarian composer. At the age of 32, she's already compiled an impressive catalog of works. Tabakova's composed for chamber groups and choirs, (and been commissioned by the Three Choirs Festival) and has even written an opera.

Her output's pretty evenly balanced between choral, chamber, and orchestral music. Included in her catalog are three concertos, for viola, cello and piano respectively. Tabakova's music is indeed consonant, and in a very original "post-tonal" fashion. Her melodic phrasing and harmonic textures manage to seem both familiar and unique simultaneously.

One of the finest examples of Tabakova's melodic gifts is her work "Dawn" for string orchestra. She may use triadic harmony, but the way and the direction they move in is anything but traditional.



Tabakova incorporates elements of Bulgarian folk music into her works. That influence is front and center in her "Suite in the old style." The solo violin sometimes plays in traditional concert style, and sometimes in a folk manner. It makes for an interesting and exciting work.



"Nocturne" is a solo piano piece, strongly reminiscent of Chopin's nocturnes. While the resemblance is there, Tabakova's work isn't derivative. Using the same basic harmonic language as Chopin, she makes the nocturne form a conduit for her own expression.



Tabakova's music has a vitality to it that appeals to many different audiences. And the lyric expressiveness of his melodies is both heartfelt and original. This is the kind of music that emotionally connects with a listener. According to her website, Tabakova's currently working on an album of her music for ECM. It's the perfect label for her, and I look forward to its release.

Recommended Recordings 
Poets from the East

Thursday, November 01, 2012

NaNoMo Day 1: Writing off in all directions at once

The first day of the National November Writing Month challenge and I've already changed course. The challenge is to write a 50,000 word novel in 30 days. Yesterday I shared the outline I thought I would be working from, (Ready, Steady... Write!) but there was something not right about it.

This year's entry is a continuation of a series I had begun with my first entry in 2008 (A Directory of Literature). One of the recurring supporting characters -- Stanley -- I had brought back for this year's novel. But I didn't feel completely happy with his role, so Stanley had to go. Instead of the supporting character being a lieutenant for a racketeer, he's Jack King, ace G-man. King has appeared in this series before, and using him to replace Stanley has changed the direction of the story -- and it's a direction I like.

Here's the new plot outline for you to compare with the old.

When the Commissar Commands
Revised Outline

Chapter 1
A private detective is following a group of men to a clandestine meeting. He’s discovered, and chased by the group. He’s cornered in a desperate gunfight, and takes a moment to write out something on a piece of paper and hide it. The gang closes in the detective is killed.

Chapter 2
There’s a gathering of industrialists, including the Barrs. The government has contracted  five different companies, Ambrose, Harris, Michaels, Delany, and the Barrs to work on a special cannon for battleships. A creates the powder mixture by a special process, B supplies the special steel for the cannons, Michaels makes the cannons, Delany provides the special shell casings, and the Barrs provide the secure shipping of all materials to and from the plants.

Because of labor unrest, Delany has been falling behind in production, and the late penalties threaten to ruin him. Michaels offers to shore him up by investing in the company. Michaels spent a significant amount of time in Russia, and is sure that the labor troubles are related to anarchist interference. Harris completely disagrees.

All of the men have labor troubles, including work slowdowns, but D is hardest hit. D had employed a private detective to find out who the agitators were, and had called the group together to hear his report. There’s a knock at the door, but instead of the detective, it’s MacGuffy. The detective has been found dead with D’s business card in his pocket!

Chapter 3
The next day Delany  gives a tour of the shell casing plant to his colleagues. He points out the security setup. Michaels seems particularly interested in them. Delany shows them the special machine that is used for the new process. They move on.

The Barrs are in consultation with Rowland and MacGuffey the next day. They explain the trouble with labor, and MacGuffey agrees to help. He shows them the clue left by the detective, which points to a tavern on the lower East Side. The Barrs agree to investigate as Raven.

Chapter 4
Men gather in a darkened open room. There’s a desk in the front, beside a door. Peppe is the major domo, and the head of the saboteurs. The door opens, and the Commissar steps out. Behind him the men can see radio equipment and a figure hunched over it. Morse code signals eminate from the room. The Commissar closes the door, sit at the dest, and asks for reports. The men are the labor agitators. The Commissar gives them their assignments and then dismisses them . A smaller core remains – these are the saboteurs. Their target is the shell casing plant.  The Commissar issues directions and then leaves.

Chapter 5
Raven goes to the tavern. It caters to a large immigrant population, especially eastern Europeans. Raven notes several men come through and be ushered into the back – and they don’t leave. When the barkeep’s not looking, Raven makes his way to the back. There’s a door leading to the kitchen, and an empty hallway. The barkeep appears at the head of the hall and yells. Men pour out of the kitchen, and Raven fights.

The men from the tavern gather in a darkened open room. There’s a desk in the front, beside a door. The door opens, and the Commissar steps out. Behind him the men can see radio equipment and a figure hunched over it. Morse code signals eminate from the room. The Commissar closes the door, sit at the desk, and asks for reports. As they begin, a light shines on the wall. There’s trouble in the tavern. The Commissar dispatches the men to help, and exits back into the radio room.

Chapter 6
The fight’s contained in the back of the tavern. Crow’s keeping watch outside and doesn’t see the trouble. Suddenly Jack King weighs into the fray.  King and Crow manage to fight their way through the kitchen and out the back door. It empties into a closed alley and they emerge back on the street beside the tavern, where Crow sees them. From the head of the alley, the two pull out guns and prepare to fight off the crowd, but after a brief exchange of shots, the men disappear back inside. King and Raven take off before they’re cut off from men coming out the front of the store (which would surround them).

When they’ve shaken off the pursuers, King tries to grill Raven to explain his involvement. But Raven disappears.

Chapter 7
Delany’s at the plant, personally supervising the machine work. The survival of his company depends on this process. He notices something is amiss. As he moves in closer, the machine spins out of control and explodes.

The Barrs discuss the mystery of how the men entered and disappeared from the tavern. They decide to investigate. As they walk out of their apartment, they’re detained by the FBI.

Chapter 8
Jack King’s called a meeting of the four surviving owners. Because of the slowdowns, he’s been called in to investigate, and has done so undercover. The killing of Delany means there’s more involved here than just labor unrest. Someone’s trying to disrupt the program. Michaels criticizes Delany’s securities, but expresses regret at his loss.

King askes a pointed question – is it true that Michaels has offered to buy the business? It is, but Michales insists its only to keep the  process within the group. He’s sure he can get the plant up and running with the security it needs to prevent further sabotage. Harris expresses some reservations.
The Commissar calls a meeting. They are to strike at the chemical plant next.

Raven and Crow watch the tavern. They can’t figure out how men entered and disappeared. Raven sees a man from the other night exit the tavern. They decide to follow him. The man meets others and they go to the chemical plant, Raven following. They overpower the guard and enter. A chase ensues. The men have their orders, and go to key locations in the plant. Raven and Crow disable some, but not all. There’s an explosion and fire races through the plant.

Chapter 8
Raven and Crow escape the blaze, although Crow is badly burned. Most of the conspirators are killed.

X is now ruined. Michaels and the others offer to help rebuild the plant. Michaels purchases a major share of X’s stock as security.

Chapter 9
Barrs have to lay low while Crow gets fixed up. King gets suspicious. Raven begins hunt for Peppe.

Chapter 10
Peppe has to recruit new members for the saboteurs. He’s followed by Raven. Peppe apartment located, but before Raven can interrogate him, he’s surprised. Without Crow, he’s a disadvantage. He dives through a window and escapes in a blaze of gunfire.

Chapter 11
King insists on another meeting of the members. Crow appears, and manages to conceal burns from King.

Peppe has rounded up enough men. The Commissar orders an attack on the docks. Needed ores are coming in.

Chapter 12
There’s trouble on the docks. Agents attempt to blow up some cargo just off-loaded. They’re intercepted by Raven. Michaels is found on the scene, claims he was there to inspect security.

Chapter 13
Another meeting with the owners. Michaels explaination sounds weak. Harris points out he’s minding his own business, not poking around on other people’s plants. With the attack on the plant thwarted, the process is getting back on track. The Barr’s facility in NJ will handle the process formerly run at the ruined chemical plant until it’s repaired. Michaels insists on a group inspection of the plant, and Raymond reluctantly agrees to make the arrangements.

The Commissar meets with Peppe. Peppe prepares for a trip to NJ.

Chapter 14
Raymond gives the tour, Connors shows them the separate building that will be used.

The chemicals are delivered to the facility.

That evening, saboteurs arrive. As does Raven. There’s a fight, and building blows up.

Chapter 15
Turns out the building was a decoy. Raven as Raymond, contacts King. The two go to Harris, who’s at home. He makes a phone call. They gather him up and all go to see Michaels. He’s missing.

Chapter 16
Michaels’ disappErance is suspicious. King investigates by going back to the only clue they have – the tavern. He goes during the early morning hours when its deserted.  King finds secret room. He explores and is captured.

Chapter 17
Raven finds secret room. Discovers Michaels – dead, and finds a trace of King.

Chapter 18
King is saved by Raven

Chapter 19
Climax in meeting room. Harris exposed as Commissar, has final showdown with Raven.

Chapter 20
All is explained. Harris was the Commissar, and the radio room was a fake. The Morse Code heard was on a record, and there was a dummy seated at the radio. He had to have Michaels killed because Michaels had heard the Commissar– and knew that the speaker was not Russian. Harris wanted control of all of the industries. Michaels was gaining controlling interest in them, and after all the power was concentrated in Michaels, then Harris would simply get rid of his rival and snatch up the businesses for himself. With complete control of the process, Harris could make enormous profits from the weapon, or even sell its secrets for foreign governments.

#NaNoWriMo

Wednesday, October 31, 2012

Ready, Steady.... Write!

One of the inspirations for my
NaNoWriMo entry this year.
Tonight may be Halloween, but for me it's simply the night before the National November Writing Month challenge. As I have for the past four years, I'll be participating -- by writing a 50,000 word novel in 30 days. I have to admit the writing part's gotten easier. This will be the fifth NaNoWriMo novel I've written about the same characters, so that may have something to do with it.

As with the others, I'm writing an homage to the pulp writers of the 1930's. My outline's basically finished, but there are a few holes. And that's OK. Because sometime during the next 30 days I'll discover characters I never knew I needed, and they'll do things I never expected them to do (it's happened before). So it's good to leave them a little room to move around in.

The real challenge will be not only turning out the 1,600+ words daily to keep on schedule, but also keep posting to this blog five days a week. We'll see how all that plays out over the next 30 days.

In the meantime, here's the outline I'll be working from. Enjoy!

"When the Commissar Commands"
Working plot outline:
 [Introduction explaining that this is a reprint of a pulp novel of the 1930's. Give history of author, magazine, etc.]

Chapter 1

There’s a gathering of industrialists, including the Barrs. The government has contracted  five different companies, Ambrose, Harris, Michaels, Delany, and the Barrs to work on a special cannon for battleships. A creates the powder mixture by a special process, B supplies the special steel for the cannons, Michaels makes the cannons, Delany provides the special shell casings, and the Barrs provide the secure shipping of all materials to and from the plants. Because of labor unrest, Delany has been falling behind in production, and the late penalties threaten to ruin him. Michaels offers to shore him up by investing in the company. 

Michaels spent a significant amount of time in Russia, and is sure that the labor troubles are related to anarchist interference. Harris completely disagrees. All of the men have labor troubles, including work slowdowns, but D is hardest hit. D had employed a private detective to find out who the agitators were, and had called the group together to hear his report. There’s a knock at the door, but instead of the detective, it’s MacGuffy. The detective has been found dead with D’s business card in his pocket!

Chapter 3
Stanley is walking down an alley to meet an informant. He hears footsteps behind him and realizes he’s been lead into t a trap. Two men appear in front of him. All four are armed with bats, brass knuckles and blackjacks. Stanley overpowers the front two, and recognizes that they wanted this to be a quiet kill – so he takes out his gun and shoots the two behind him. One of the two surviving assailants lunges at Stanley, and he kills him also. Then he grabs the survivor and hauls him out of the alley ahead of the police. He has questions to be answered.

Chapter 4
The Barrs are in consultation with Rowland and MacGuffey the next day. They explain the trouble with labor, and MacGuffey agrees to help. He shows them the clue left by the detective, which points to a tavern on the lower East Side. The Barrs agree to investigate as Raven.

Stanley meets with Lorenzo. Lorenzo’s longshoreman protection racket is also being threatened by the labor unrest. Stanley was assigned to find out who was interfering with his business. The meeting with the promised informant proved to be a trap, and after interrogating the survivor, Stanley has determined that it’s a group of foreign agitators. Their meeting place seems to be the same tavern Raven’s headed for.

Chapter 5
Raven goes to the tavern. It caters to a large immigrant population, especially eastern Europeans. Raven notes several men come through and be ushered into the back – and they don’t leave. When the barkeep’s not looking, Raven makes his way to the back. There’s a door leading to the kitchen, and an empty hallway. The barkeep appears at the head of the hall and yells. Men pour out of the kitchen, and Raven fights. 

The men from the tavern gather in a darkened open room. There’s a desk in the front, beside a door. The door opens, and the Commissar steps out. Behind him the men can see radio equipment and a figure hunched over it. Morse code signals emanate from the room. The Commissar closes the door, sit at the desk, and asks for reports. The men are the labor agitators. As they begin, a light shines on the wall. There’s trouble in the tavern. The Commissar dispatches the men to help, and exits back into the radio room.

Chapter 6
The fight’s contained in the back of the tavern. Crow’s keeping watch outside and doesn’t see the trouble. Suddenly Stanley weighs into the fray. Stanley and Crow manage to fight their way through the kitchen and out the back door. It empties into a closed alley and they emerge back on the street beside the tavern, where Crow sees them. From the head of the alley, the two pull out guns and prepare to fight off the crowd, but after a brief exchange of shots, the men disappear back inside. Stanley and Raven take off in Stanley’s car before they’re cut off from men coming out the front of the store (which would surround them).
The men return to the meeting, and the Commissar again reappears. He orders them to step up disruption at the chemical plant.

Chapter 7
Raven and Crow watch the tavern. They can’t figure out how men entered and disappeared. Raven sees a man from the other night exit the tavern. They decide to follow him. The man meets others and they go to the chemical plant, Raven following. They overpower the guard and enter. A chase ensues. The men have their orders, and go to key locations in the plant. Raven and Crow disable some, but not all. There’s an explosion and fire races through the plant.

Chapter 8
Raven and Crow escape the blaze, although Crow is badly burned. The conspirators are killed
X is now ruined. Michaels and the others offer to help rebuild the plant. Michaels purchases a major share of X’s stock. 
St
Chapter 9
Chapter 10
Chapter 11
The Commissar orders an attack on the docks. Needed ores are coming in to
Chapter 12
There’s trouble on the docks. Conspirators attempt to blow up some cargo just off-loaded. They’re intercepted by Raven
Chapter 13
Chapter 14
Chapter 15
Chapter 16

Chapter 17
Michaels visits secret room. It appears as if he’s the Commissar. He sits at the desk and shuffles papers. He’s spied on by Stanley, who can only see him. Someone comes into the room and Michaels talks to him in Russian. There’s a stirring and Stanley has to leave.
Chapter 18
Stanley reports what he sees and Raven and MacGuffy go to Michael’s office. They find him dead.
Chapter 19
Climax in meeting room. Harris exposed as Commissar, has final showdown with Raven.
Chapter 20
All is explained. Harris was the Commissar , and the radio room was a fake. The Morse Code heard was on a record, and there was a dummy seated at the radio. He had to have Michaels killed because Michaels had heard the Commissar – and knew that the speaker was not Russian. Michaels wanted control of all of the industries. Michaels was gaining controlling interest in them, and after all the power was concentrated in Michaels, then Harris would simply get rid of his rival and snatch up the businesses for himself. With complete control of the process, Michaels could make enormous profits from the weapon, or even sell its secrets for foreign governments.

Tuesday, October 30, 2012

Neukomm: Orchestral Fantasies - Haydenesque

Sigismund von Neukomm: Grande Sinfoie Heroique & 3 Fantasies
Die Kolner Akademie
Michael Alexander Willens, conductor
CPO

Sigismund von Neukomm was a student of both Michael and Franz Joseph Haydn. He helped with the production of some of Mozart's late compositions, and worked with Haydn on the editing and arranging of Haydn's music. At one point, he even taught Mozart's son composition. As one might expect, his musical style shares many similarities to those of his famous colleagues.

The earliest fantasy on this disc dates from 1806, the second 1808, and the latest from 1823 -- but there's little difference in style between them. All have a light, transparent sound of Mozart and Haydn. Neukomm's music is very clean and precise, with everything laid out and organized in a sensible fashion. Neukomm's melodies aren't quite as memorable as Mozart's but they do have the same natural flow and charming simplicity to them.

By contrast, the Grande Sinfomie heroique has a bigger feel than the fantasies on this disc. The orchestration is more varied, and the drama's heightened. If the other three works were comparable to middle period Haydn, then this would be more early Beethoven and late Mozart. The work never loses its sense of balance and proportion (so think of a very polite Beethoven), but it has greater energy than the orchestral fantasies.

Michael Willens directs with a light touch, and you can hear subtle inflections in the phrasing bring this music even closer to the Mozartian ideal. Highly recommended for any fan of the classcical era.

Monday, October 29, 2012

Knight Life Snickers

I enjoy Keith Knight's comic strip Knight Life. Recently Knight brilliantly pulled together two separate themes, gave them a twist, and came up with a great gag.


The strip references a recent Snickers ad with Joe Pesci and Don Rickles (which I could embed the video, but that wasn't an option -- you'll have to follow the link). In the ad, two men are talking to two women -- as Knight shows in the first panel. One of the men is crabby because he hasn't eaten, and is Joe Pesci playing himself. The man's given a Snickers bar, and turns back into a regular person. So far, Knight's strip parallels the ad.

The commercial ends with the pair returning to the women. But one of them's become crabby and turned into Don Rickles. Knight ends things a different way -- the candy bar had an unexpected effect.

What makes the gag works is the expectation that the strip will follow the ad storyline. The twist at the end provides the humor. But there's something else -- Knight uses comic strip celebrities, and the reader's knowledge of Lucy from "Peanuts" and Broomhilda gives the joke added meaning.

Sometimes cameos in comics don't work very well. But when they do -- as in Knight's strip -- it really makes a comics fan's Sunday.