WTJU, 91.1fm in Charlottesville Virginia.. The three-hour program had a simple programming tenant -- never repeat a work. (read more at Running the Gamut - A Thousand and One Wednesdays)
Wednesday, May 22, 2013 from 6-9am we'll mark the 1000th program with a live webcast, mini-fundrive (donate here), and air messages from our listeners (call 434.207.2120 to leave your message).
Looking over the master playlist for "Gamut," I'm amazed at both how much music by how many composers I've been able to air, and how much there is still left to do. Nevertheless, if you (like me), have listened to every single episode of "Gamut," you would have been exposed to a lot of great music. I freely program from all style periods of classical music, from the middle ages (beginning ca. 900) all the way up through the present.
And I mean present. In 2010 composer Robert Ian Winstin undertook the task to composer, perform, record and produce a new classical work every single day during the month of February. (28 in twenty-eight) I obtained permission to air the works, and so during that month "Gamut" featured works that were less than six hours old. Now that's about as contemporary as you can get!
Along the way, I've been able to do some interesting cycles that, taken in total, help the listener more fully understand the composer. Some cycles are easy -- like Brahms symphonies (he only wrote four), and Grieg piano concertos (he wrote just one). But then there were cycles that could only be programmed and aired with a longer view -- like these:
Franz Joseph Haydn - 104 symphonies
Ludwig van Beethoven - 9 symphonies. 16 string quartets, 32 piano sonatas, 10 violin sonatas
Wolfgang Amadeus Mozart - 18 piano sonatas, 23 string quartets, 41 symphonies
Felix Mendelssohn - Complete Songs without Words (8 volumes, 48 pieces), 5 symphonies, 12 string symphonies
- to name a few
I also featured a lot of works by composers that haven't made the Top 10, but either perhaps should have, or at least deserve to be in the Top 40. Since they're not as widely recorded, I usually can't do a complete cycle of works, also often I can do a complete cycle of recordings! Here are a few examples:
Alan Hovhaness: 51 compositions out of 434 published works
Gerald Finzi: 37 out of 40 published works
Heitor Villa-Lobos: 60 (including all 17 string quartets) out of 592 known compositions
The stereotype is that classical music is irrelevant because it's all written by dead, white, European men. Well, not quite. Here's a very short list of the non-European (and some non-white) composers I've featured:
Carlos Chavez (Mexico)
Healy Willan (Canada)
Bechara El-Khoury (Lebanon)
Zhou Long (China)
Peter Schulthorpe (Australia)
William Grant Still (America)
Addressing the second part of the stereotype, I've aired more than a few women composers -- and not just contemporary ones, either. Here's a small sampling:
Hildegard von Bingen (medieval)
Fanny Mendelsohn-Hensel (romantic)
Clara Schumann (romantic)
Amy Beach (20th century)
Barbara Strozzi (baroque)
Joan Tower (contemporary)
Jennifer Higdon (contemporary)
And finally, I also air a lot of music by living composers. Because to me, classical music isn't a musty old artifact in a museum, but a vital part of contemporary life -- as evidenced by the composers who create it today. A very small list of living composers would include:
Ellen Taaffe Zwilich
.... and a work or two by yours truly.
Then there's all the other oddities I've aired, like Richard Wagner's symphonies(!), overtures from Haydn operas, PDQ Bach, Benjamin Franklin's string quartet, piano concertos by Beethoven's personal assistant, Ferdinand Reis, violin concertos by Saint-Georges, the greatest swordsman in 18th century France, and many, many more.
It's been quite a musical journey -- and I'm not done yet.
Part 1: A Thousand and One Wednesdays
Part 3: A Thousand and One Lessons