The Diabelli Project is about offering my weekly flash-composition sketches freely to all. Like Antonio Diabelli's theme these sketches aren't great music. But perhaps (as in Diabelli's case) there's a Beethoven out there who can do great things with them.
This week's flash composition is a piece for solo flute. (click on image to enlarge) The very nature of flash composition (or flash writing) is that you only have a very short amount of time to create. And when it's done, it's done. I always get further into the music with a single line instrument -- less notes per measure. And I often have time to add expression marks. But not in this case. So here it is, without any phrasing or dynamics. I was tempted to put them in after the fact, but that would be cheating. The project is about presenting the actual results of the session. Clean-up is for later.
And there's no reason why you couldn't clean this up as well -- or even add to it. As with all the Diabelli Project sketches, I offer this to one and all to use as they wish. Just be sure to share the results!
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Showing posts with label solo flute. Show all posts
Showing posts with label solo flute. Show all posts
Monday, June 08, 2015
Monday, November 03, 2014
Diabelli Project 064 - Piece for Solo Flute
The Diabelli Project
is about offering my weekly flash-composition sketches freely to all.
Like Antonio Diabelli's theme these sketches aren't great music. But
perhaps (as in Diabelli's case) there's a Beethoven out there who can do
great things with them.
I admit, I'm no Paul Hindemith. But his idea of writing a concerto for every instrument sounded appealing. In this case, I decided to devote these flash compositions to a survey of the major instruments of the orchestra. The series kicks off with this sketch for solo flute.
Every instrument not only has a distinctive sound, but its own set of technical challenges and special abilities. For this sketch, I used the flutter tongue technique to add intensity to the held notes, and the flute's agility to create a fluid melody.
What happens next? That's up to you. As always, you're welcome to use all or part of this sketch. Just let me know what you come up with!
I admit, I'm no Paul Hindemith. But his idea of writing a concerto for every instrument sounded appealing. In this case, I decided to devote these flash compositions to a survey of the major instruments of the orchestra. The series kicks off with this sketch for solo flute.
Every instrument not only has a distinctive sound, but its own set of technical challenges and special abilities. For this sketch, I used the flutter tongue technique to add intensity to the held notes, and the flute's agility to create a fluid melody.
What happens next? That's up to you. As always, you're welcome to use all or part of this sketch. Just let me know what you come up with!
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